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The O-Port for acoustic guitars

July 30, 2010 by Chris

The O-Port for acoustic guitar seems like a interesting product to take a look at. The end result of this item is to enhance and sharpen the sound of ones’ acoustic guitar. The other neat improvement that come with using an O-Port is that it helps conquer feedback when performing live through a PA.

To understand how you can install this accessory on your guitar check out the video below. I found the way he uses the capo to keep the strings in place while taking the strings off is a neat little trick.

I first saw this thing in the July issue of Acoustic Guitar. At first I was skeptical. It comes in 2 sizes and comes in 2 colours, black or ivory. Most of the reviews that I’ve seen online about the O-Port states that it does enhance and adds clarity to your top end as well as the harmonic/sonic tones. The mids of your guitar seem to be brought to the forefront of your sound which I tend to focus on a lot when gigging through a PA.

The only drawback, which I found mentioned only once in my search for product reviews, is how the O-Port affects the bottom/bass end. It appears that it dampens the bass end sound that is created from the top or front of your guitar. See some, but not all, of your bottom levels comes from the vibrations that are created top of a acoustic guitar. The other way is from the sound bouncing around the insides of your guitar that comes out of your sound hole or port.

Sometimes too much bass from the guitar brings on more feedback in weird sized rooms through a PA. Considering that this device is attached directly to the top of your guitar, it makes sense that it would stop the top from vibrating.

This invention would fit into my Larrivee perfectly. The pickups that I use would not be affected at all. If your acoustic guitar uses a side mounted system like a Fishmen Ellipse Blend or something like a L.R. Baggs M1 SERIES – PASSIVE PICKUP, then this one is not for you!

I have to say that I’ve never used or seen the O-Port in action. The effects from this accessory appear to be interesting enough that I entered a contest to win one. If I win one, fingers crossed here, then I’ll tell you all what I think about it! So …

Keep on Jammin’





Filed Under: Equipment, Guitar Equipment Tagged With: accessories, acoustic, acoustic feedback, acoustic guitar, deeper, Feedback, highs, improve sound, lows, mids, O-Port, planet wave, sound hole, soundhole

A 12 Neck Guitar Yoshihiko Satoh you say?

May 11, 2010 by Chris

So we have a picture here of some guy playing a 12 neck guitar and one of the instrument in question sitting on a very custom made guitar stand. Yes you heard me correctly, a 12 neck guitar. Once I saw this thing I new that I had to do a post and show you right away.

12 neck guitar

As it turns out this is some of Yoshihiko Satoh’s conceptual artwork that was displayed and actually won the 2002 Kirin Art Award Grand Prix prize. It is really something to behold. The thing that got my mind going was that if you look really close to the guitar whammy/wammy bars in the top picture, all of them are not in the same position. Then if you focus your attention to the picture below, all of the tail pieces are not the same. This made me think that it’s real … or is it?

12 neck guitar on its stand

Keep on Jammin’

Filed Under: Custom Made Guitars, Equipment, guitars, My Experiences Tagged With: 12 neck guitar, 2002, conceptual artwork, custom, custom guitar, Fender, fender 12 neck guitar, fender guitar, fender stratocaster, guitar stand, hand made, Kirin Art Award, Kirin Art Award Grand Prix, stratocaster, Yoshihiko Satoh

Jim Dunlop’s new MAX GRIP Guitar Pick

May 7, 2010 by Chris

Jim Dunlop has just released the new MAX GRIP Standard and the MAX PICK Jazz III guitar pick. These two are something that I will definitely go out and pick up to take home for a test drive when practicing later today.

Jim Dunlop MAX GRIP standard guitar pick

Jim Dunlop MAX GRIP standard

I personally use the Jim Dunlop 1 mm Nylon Standard guitar pick when I play. I find that this pick is the only one that I can hold on to when I play, due to the fact that I tend to perspire a lot while preforming. While playing live at a bar in front of some spot lights, my fingers start sweating like a black dog laying out in the hot summer sun.

Jim Dunlop Max Grip Jazz III guitar pick

Jim Dunlop Max Grip Jazz III

At first glance MAX GRIP has a molded gripping surface that is carefully concocted to provide the guitarist an incomparable non-slip guitar pick surface. It looks like it’s made for all you speed pickers (I’m certainly not one of them) and hard strummers (that’s me) out there that demand extreme precision and stamina, without losing control of their pick. I remember one time performing with this guy and I lost my pick on stage when we were playing Whole Hearted by Extreme. It was both embarrassing and frustrating for me at that time so from then onwards, I use the Jim Jim Dunlop 1 mm Nylon Standard.

Has anyone out there checked this thing out? If you have one, would you recommend it to other players?

Keep on Jammin’

Filed Under: Equipment Tagged With: 1 mm Nylon Standard, flat pickers, guitar picks, jazz III, jim dunlop, max grip, speed pickers, standard

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