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You are here: Home / Archives for Playing Guitar / Music Styles

The Freewheelin’ Bob Dylan missing songs

June 10, 2009 by Chris

For all your Bob Dylan fans out there, here is a neat bit of musical trivia that you may have not known about up until now! It’s all about 4 songs that were not released on his second album The Freewheelin’ Bob Dylan, that did not make the final cut. They are “Let Me Die In My Footsteps”, “Ramblin’ Gamblin’ Willie”, “Rock and Gravel” and “Talkin’ John Birch Society Blues”

So this album, Bob Dylan’s second one which had the working title of Bob Dylan Blues, was a pure master piece! This album did much better then his debut album titled Bob Dylan, which sold about 5000 copies, just enough to break even at that time. This little known fact about these 4 songs made me sit back and scratch my head to wonder, why?

Can you actually believe that some idiots deemed them unusable for public consumption? This album made it to 97 on Rolling Stones Top 500 albums of all time!
With Blowin’ in the Wind on an album, I guess you can’t go wrong now can ya? Thank God they left that one on it!

So here is what I took out of this fairly long article. If I have misinterpreted any of this or got my info wrong then PLEASE tell us.

So Bob Dylan resumes his work on his second album at Columbia’s Studio A in New York city. This session started on October 26th, 1962. “Mixed-Up Confusion” and Arthur Crudup’s “That’s All Right Mama” were deemed unusable, so out came the scissors and they were cut. A master take of “Corrina, Corrina”, which was not an original, was selected for the final album. I remember listening to this one when I was a young kid at my parents house, what a great tune.

A few copies of the original pressing of the LP — with the subsequently deleted tracks, “Let Me Die In My Footsteps”, “Ramblin’ Gamblin’ Willie”, “Rock and Gravel” and “Talkin’ John Birch Society Blues” — finally turned up for general consumption, against Columbia’s blessings. CBS produced records later on with these four songs, but not the corresponding covers.

Imagine for a second, only 30 pressed copies with these tunes were released, then they stopped the presses, removed the offending songs and finally started the presses once again? Can you say really rare and valuable piece of plastic?

In April, 1992, the first known stereo copy (with the label listing the original four songs) was found at thrift store located in Greenwich Village in New York City. The quality of this valuable piece of music history was used and in not bad condition. It was later fetched $12,345.67. Envision, if you will, this album being in mint condition?

Keep on Jammin’





Filed Under: Albums, Bob Dylan, Entertainment, Music Styles, Musicians, Songs to Play Tagged With: Albums, Bob Dylan, bob_Dylan, Columbia_records, Columbia's_Studio_A, Let_Me_Die_In_My_Footsteps, music_history, musical_history, Ramblin'_Gamblin'_Willie, rare_albums, Rock_and_Gravel, Talkin'_John_Birch_Society_Blues, The_Freewheelin'_Bob_Dylan

Super Groups love them or hate them?

June 3, 2009 by Chris

When I was still a young and very impressionable guitarists, once in a while I’d hear of a collection of musicians, from different bands, that would get together to form this new thing called a Super Group. I could only imagine great tunes coming from these musically gifted artists. My first exposure to this new phenomenon was a Super Group called Asia.

I was not playing with Pylis at this point and I was just starting to pick up my axe again, finally! It was at this point in my journey that my renewal of love for playing and performing live came to a head. At this point I proceeded practicing like a mad man! I just needed an outlet to let go of all my pent up musical energy, so I got together this band.

These guys, Pinhead(keyboards), Domenic (drums), and this other guy that I can’t remember his name right now (bass player) wanted to play a show at Brantford’s BCI talent night, way back in the mid 80’s. Now this is where the Super Group Asia comes in.

Asia came at us with tons of hype. A line up that included guitarist Steve Howe, drummer Carl Palmer, keyboardist Geoff Downes and bassist/vocalist John Wetton was a real eye catcher. Their first big hit, the one we actually played at the show, was called Heat of the moment.

In hind site, the band and their material were ok at best. Not overly imaginative, but for the average listener at the time, it was fine. Most people were not fully aware of each of the bands members past works. They just recalled hearing the names of the bands and not what they, the guys in Asia as individuals, could bring to their musical tapestry.

Asia did in fact have several Top 10 singles and sales exceeding 7 million copies. Not bad for a so, so band. Why are these guys such a big seller … I’m not really sure. The only thing that comes to mind is ADVERTISING! So what about Super Groups from the past?

In the 1960s there was Crosby, Stills, Nash & Young, Cream and Blind Faith. Not too bad at all I’d say. During the 1970s groups like Bad Company and Emerson, Lake & Palmer (these guys were just unreal). The 80s & 90s had super groups like The Firm, Power Station, A Perfect Circle and last but not least The Traveling Wilburys (I really wasn’t all that impressed with these guys in particular).

In today’s musical time line we have Velvet Revolver and Audioslave and just recently had Chicken Foot and Tinted Windows join the fold.

The question I have for all of you is, what do you think of the idea of The Super Group concept? Love them or hate them?

Keep on Jammin’

Filed Under: Bands, Music Styles, Musicians, Video Tagged With: 60s_super_groups, 70s_super_group, 80s_super_group, 90s_super_group, Asia, asia_the_band, Chicken_Foot, musical_super_groups, Pylis, super_group, super_groups, tinted_windows, todays_super_group

CounterPoint at Nuance 2009

May 8, 2009 by Chris

The Nuance Festival was at the Black Swan on The Danforth and this year and the talent did not disappoint us at all. At this years show, Counterpoint opened up the seminal event!

To illustrate CounterPoint’s musical prowess in detail, takes up way too much time and I’ve been on the old soap box so many times that I’m getting dizzy … but to me it’s more then worth it! They are pure progressive rock god’s! At last years showcase, they kept me at the edge of my seat all night and this night they added even more dept and colour to their musical masterpieces.

They have now added another layer of sound to their arsenal with a Toronto guitarist called Neil Harvey.I’ve only seen them live twice, and I am eager to see what happens when all their magical alchemy comes together. If you love this genre, then just go out and see them live to fully understand what I mean.

First tune they did was Track 9. The intro to this one, in comparison to last year, was very refreshing in many ways! Some new portions were quite inventive. Chris Noto pulls these bass harmonics right out of thin air it seems. Without notice, Led Zeppelin has made an entry into their sound?! During Chris’s solo, Rick and Neil do some fine and very tight harmonizing together. Neil will finish this one with a solo that rounds it off nicely! Neil just adds a nice intrinsic feel to the band.

The next one up is Morphine. For some reason, the boys didn’t put this video up on there site so I can show ya. Once again, they pull this one off flawlessly. Rick changes up some keyboard parts that tend to make the song flow in subtle ways. Joe is the backbone on this one, he keeps it all together. Chris is … well Chris. He gravitates in and out of the limelight like only he can.

Ritual is next on their set list. The beginning is something right out of a RUSH, Farewell to Kings or Hemisphere’s album. All that is missing on this one are some wind chimes and wood boxes played by Joe the drummer! I am really looking forward to watching this guy do a drum solo, on his own kit someday. At this point, Chris is using a wah, wah pedal and performs with it to perfection. There tends to be this 70’ish sound rising in the background with some Nirvana thrown in for good luck, admirably done boys.

Now the original Ritual rears it’s mighty head! This Ritual of old has all the early ear markings of the embryonic sound and feel to it. Rick’s keyboard has that primitive Hammond B3 ambiance and aura to it. Rick has introduced some subtle suspended touches to it, skillfully done sir. His sound is building up gradually throughout the piece. You’ve got to see these guys live to bring into context what I am talking about.

Then to finish off the night, the audience asks them for one more! CounterPoint then decides, reluctantly I think, to just jam.

So that is what I experienced that night. Next Nuance, I hope to see ya there!

Keep on Jammin’

Filed Under: Bands, Concerts, Entertainment, Music Styles, Musicians, Songs to Play, The Neighborhood, Toronto, Vacation and Travel, Video Tagged With: art_rock, Black_Swan, chris_noto, CounterPoint, Neil_Harvey, nuance_2009, Nuance_festival, Progressive_band, progressive_rock, Rick_Kazmirchuk, toronto_band, Toronto_bands

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